Globulosa877: Новая страница: «If Joe Pass had not been sidelined with prescription drug addiction, he undoubtedly would have participated in the impressive jazz guitar surge of the fifties. Throu...»

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Новая страница: «If Joe Pass had not been sidelined with prescription drug addiction, he undoubtedly would have participated in the impressive jazz guitar surge of the fifties. Throu...»

Новая страница

If Joe Pass had not been sidelined with prescription drug addiction, he undoubtedly would have participated in the impressive jazz guitar surge of the fifties. Throughout that golden age, when guitar players like Barney Kessel, Johnny Smith, Kenny Burrell, Jimmy Raney, Tal Farlow, Jim Hall, Herb Ellis, Howard Roberts, and Wes Montgomery came to notoriety, he would have been one of the category's leading pioneers. As it was, fate had other plans for Joe Pass. While perfecting the art and craft of bebop in New York City, he fell victim to the same practice of the time that beleaguered modern-day jazz artists like Charlie Parker, Miles Davis, and John Coltrane. After knocking around in and out of prison for over 10 years with heroin addiction, Joe entered Synanon in 1960. Click this link to learn more about [http://www.chordmelodyguitarmusic.com/Joe-Pass-guitar-tab-tablature-books-DVDs.htm Joe Pass jazz guitar] Exactly what followed is among jazz guitar music's best success stories!

Joe Pass initially gained public recognition with his jazz guitar playing as part of the house band on 1961's "Sounds of Synanon". His first recording "Catch Me", and its landmark sequel "For Django", established Joe Pass' credentials in no uncertain terms. By 1965, he was in demand as one of the most desired jazz sidemen of the age, supporting artists such as George Shearing, Groove Holmes, Gerald Wilson, Benny Goodman, and Les McCann. At decade's end, Joe Pass had released a string of record albums on the Pacific Jazz label (these are finally offered on CD in a must have Mosaic Records' collection) and was a local legend in the Los Angeles jazz guitar setting. Lee Ritenour once referred to him as "The President Of Bebop" on the West Coast, an idea shared by numerous up and coming jazz guitar players of the day.

In 1972, Joe Pass broke brand-new ground with his "Virtuoso" album. The promise made by his Pacific Jazz recordings was met on "Virtuoso". This record album featured Joe Pass playing unaccompanied, solo jazz guitar for a whole program of twelve tunes! A collection that sounds as fresh and outstanding today, "Virtuoso" raised the bar in the jazz guitar world overnight. From this time on, "Virtuoso" became Joe's nickname. He ruled the world in the solo jazz guitar category and did so until his unfortunate demise in 1994. In review, Joe Pass is definitely one of the most essential artists of the twentieth century and continues to be the quintessential total jazz guitarist.

Tales from the Joe Pass mythos have it that Gene Autry, The Singing Cowboy, encouraged a 9 year old by the name of Joseph Anthony Passalaqua to get started with the acoustic guitar and turn into one of the world's best artists - an idealized and enchanting image however hardly accurate. Joe Pass debunked that tale years ago. Facts be told, Joe himself didn't recall precisely what propelled him to begin playing guitar - he simply did. When he did, he took part in the community music scene in Johnstown, New Jersey - just hanging out with various other guitarists, being exposed to Italian sing-along tunes of the day, and listening. Lots of listening closely!

Although he was mostly self taught without the use of [http://www.chordmelodyguitarmusic.com/jazz-guitar-tab-tablature-books-DVDs.htm additional resources] for about a year and a half, Joe Pass took formal guitar sessions from a neighborhood multi-instrumental performer. He was taught how to read music, studied some Nick Lucas guitar technique publications, and was shown some simple fingerstyle guitar techniques from the Carcassi Classical Guitar Method. At this stage, he studied and played roughly six hours a day under the watchful eye and stringent observation of his dad. By age twelve, Joe Pass was an accomplished improviser and was playing live performances at local restaurants with older artists. During this period, he became aware of jazz players like saxophonist Ben Webster and trumpeter Roy Eldridge.

Joe Pass - Solo Jazz Guitar 46 - История изменений

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